Halloween is coming, the bats are getting fat… and the latest issue of Belladonna is now available for you to buy and devour.
Amongst this months attractions are an interview with Halloween event mistress Melissa Carbone, a look at Prevenge by Revenge Honey Addison, and my review of Vertigo’s Lost Boys comic. We’ve also got a collection of articles on the Saw series by Slasher Honey Chass, and any fan of Jigsaw’s antics would rather hack their own leg off than miss it.
But of course, since it’s the month of Halloween, we’ve pulled out all the stops to bring out something rather special: a celebration of witches on screen and print! Head Honey Kat discusses her favourite pieces of cinematic witchcraft, Classics Honey Samantha revisits Black Sunday and The City of the Dead, Musical Horror Honey Brittany takes a look at The Crucible, Gamer Honey Jess has a go on Witcher 3, The Love Witch director Anna Biller explains her tricks in an interview, Monster Honey Sarah gets lost in The Blair Witch Project, Supernatural Honey Kim celebrates the witches of kids’ movies we grew up with, and yours truly delivers a retrospective of the wickedest witch in comics: Lady Death.
Jam-packed, it is!
Plus: the mag has the latest instalment of my ongoing comic Midnight Widows. This time you will be introduced to the person responsible for the gruesome deaths. He’s an undead murderer who, in life, was known as the Vampire Killer…
If all of this sounds like your bag, then check out the latest issue of Belladonna magazine at the official website or MagCloud.
Any comics fans out there remember the fabled year of 2015? If you were keeping an eye on four-colour fandom at the time, you will have noticed that it was a prime time for controversy. Debates raged over a Batgirl variant cover; Breitbart was slagging off the female Thor; and Wonder Woman was using the word “mansplaining”. Amid all of this controversy, Gamergate was trying to bleed out into Comicgate.
It was under this climate that a new community sprung up on Reddit, bearing the name of WerthamInAction – a title that combines the name of 1950s anti-comic crusader Fredric Wertham with that of the Gamergate community KotakuInAction. Its mission statement is as follows:
This subreddit tracks and discusses attempts to smear, intimidate, censor, culturally appropriate, ethically corrupt, or otherwise harm the comic book industry and culture, specifically such attempts by the SJW hate movement. These attempts are collectively known as #ComicGate.
The biracial Spider-Man controversy, the female Captain Marvel controversy, the Muslim Ms. Marvel controversy, the Sensation Comics Featuring Wonder Woman controversy, the Spider-Woman variant cover controversy, the female Thor controversy, the Batgirl variant cover controversy (a.k.a. the #ChangeTheCover/#DontChangeTheCover/#SaveTheCover/#WeWantThisCover/#CoverGate controversy), and similar issues are welcome. These should all be considered under the #ComicGate umbrella term.
Continue reading “The Weirdness of WerthamInAction”
“She flies! She flies, dearest, like a ray of light for speed and like a bit of thistledown for lightness. We’ve been around the moon!”
—Richard Seaton, The Skylark of Space
In the first post in this series I took a look at Edmond Hamilton’s Interstellar Patrol stories. Now, it’s time for another space opera that commenced publication in August 1928: The Skylark of Space, written by Edward Elmer Smith partly in collaboration with Lee Hawkins Garby. The former went on to write the influential Lensman series under the name of E. E. “Doc” Smith, but the latter vanished from the field.
Sam Moskowitz’s book Seekers of Tomorrow goes into detail about the background to the novel. The spark of inspiration occurred back in 1915, when Smith was discussing outer space with Lee Hawkins Garby’s husband, Carl. The conversation caught the imagination of Lee Garby, who suggested that Smith write a novel based on some of the ideas discussed. Smith was comfortable writing a scientific adventure, but got cold feet at the idea of writing a convincing romantic subplot, which he felt would be necessary to the story; and so Lee Garby agreed to act as co-writer, providing the requisite love interest.
The two finished roughly a third of the story in 1916 before losing interest. It was not until 1919 that Smith picked up the project again, this time without the direct involvement of Garby. Although he completed the story in 1920, it received an overwhelmingly negative reaction from potential publishers – hence why it did not see print until 1928, when Amazing Stories began serialising it across three issues. The novel edition, published in 1946, had significant revisions; I’m basing this post on the original magazine version.
Continue reading “Space Opera Archeology: E. E. Smith and The Skylark of Space“
I find m6yself typing this post on a dodgy library co6mputer that keeps adding fi5ves,= sixes and equals signs to 6my words,= and instead of going through the hassle of fixing it=, I’m6 going to leav5e it as it is. BEHOLD THE TESTAMENT TO DODGY KEYBOARDS. (I notice that typing in all caps seem6s to sort it out. Huh.)
Anyway,= Septem6ber was another m6ellow m6onth for 6me. I spent it in m6y usual routine of reading=, writing, and going on weekly trips to the cinem6a (Detroit,= The Lim6ehosue Golem6,= Kingsm6an 2 and Lucky Logan). My 6main endeav5our has been getting started on preparing som6e horror-them6ed articles for October. I’5ve got a bu6mper crop co6ming along and no m6istake…
Articles published elsewhere this m6onth:
Article topics for October and beyond:
The latest part of my Women in British Animation series is live at WWAC. This time, the topic is Gillian Lacey…
“I, Zan Zanat, resolved to do what none ever had done, to explore the cosmic cloud’s interior.”
—Zan Zanat, “The Cosmic Cloud”
Lately I’ve been doing a deep-dive into the history of the space opera genre. The term “space opera” was coined in 1941 (as a pejorative) but an earlier, more significant date in the genre’s history was August 1928, a month that saw the publication three significant works: Edmond Hamilton’s “Crashing Suns” (in Weird Tales), the first instalment of E. E. Smith’s The Skylark of Space (in Amazing Stories) and Philip Francis Nowlan’s “Armageddon 2419 A.D”, starring an early incarnation of Buck Rogers (also Amazing).
I’ll start by looking at “Crashing Suns”. This was the first of Hamilton’s eight Interstellar Patrol stories, which were published in Weird Tales between 1928 and 1934; aside form the novel-length Outside the Universe, all were short stories. Five of the stories were collected in a 1965 paperback, also called Crashing Suns. I’m basing the post on this book, and off the top of my head I can’t confirm if there are any differences between the stories as republished in 1965 and the original Weird Tales editions.
Continue reading “Space Opera Archeology: Edmond Hamilton and the Interstellar Patrol”
My issue-by-issue overview of Amazing Stories has reached 1927! Journey ninety years into the past and discover such long-forgotten stories as “The Man with the Strange Head”. Plus: the first instalment of Amazing‘s regular letter column, where you will encounter people getting grumpy about scientific inaccuracies and somebody who thinks the main character in one of the stories is a real person.