I’ve started a new series of articles at Women Write About Comics: Women in British Animation.
This is a subject that I’ve long been interested in. Eleven or twelve years ago I gained access to my college library, complete with animation tapes from the BFI’s Connoisseur Video line. Jan Svankmajer, the Brothers Quay, Aardman Animations… and the Wayward Girls & Wicked Women series.
I can remember being fascinated by the fact that there was a whole movement of feminist animation in the UK from the seventies through to the nineties – a movement that, sadly, seems largely forgotten today. I am positively relishing the opportunity to shed some light on this body of work.
I went to see When Marnie Was There yesterday. I knew absolutely nothing about the plot, but as a committed Ghibli fan, went in eager to be surprised. And yeah, in terms of genre, When Marnie Was There did have an intriguing surprise for me.
Spoilers below fold…
Continue reading “When Marnie Was There”
Over at Women Write About Comics, I’m going to be reviewing all of the Hugo finalists in the prose fiction categories. First up we have the candidates for Best Short Story…
Down at a local market I found a stash of pre-cert video tapes, five for a pound. For the uninitiated, those are video cassettes released before the Video Recordings Act 1984 was introduced, ensuring that all subsequent videos carried BBFC certificates and ending the now-fabled era of the Video Nasty:
Continue reading “Pre-cert horrors”
Decided it was time to get a place I could jot down my thoughts. Now, let’s see if I can cobble a layout together…